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Case study

Mansion-Block Flat, Chelsea

Two balconies and their planters, lit so the flat reads from the street without touching one brick of a building the owners share.

ChelseaTwo balconies, planters, railsWarm white pea fairy
Red brick Chelsea mansion block at night with one flat's two balconies dressed in warm white fairy lights and lit planters
Property
Mansion-block flat
Area
Chelsea, SW3
Access
From inside the flat only
Fixings
Rail clips, fully reversible

Schemes like this run £1,500–£1,700 for the season

The brief

A third-floor flat in a red-brick Chelsea mansion block, SW3. The owners do not own the facade, the managing agent had already refused two schemes that year, and the brief was simply: "make our two balconies read from the street."

What we installed

  • Warm white pea fairy along both balcony rails, front and return
  • Four planters lit from inside the foliage
  • A short garland at the French doors, visible from the pavement
  • Everything on one timer, off by 11pm to keep neighbours onside

Can you install Christmas lights on a leasehold flat?

Usually, if you can prove nothing touches the common parts. That is what we submit to the agent before anyone books: a one-page scheme showing rail clips only, no penetrations, no cable outside the demise, all power taken from inside the flat, and a removal date. It reads as a method statement rather than a decoration request, and it is the reason this one was approved in four days after two rejections.

Why it works

From street level a mansion block is a grid, and a lit balcony inside that grid is the only thing your eye stops on. Because there is no roofline to play with, the planters do the heavy lifting: light inside the foliage gives depth, so the balcony looks inhabited rather than outlined. Small scheme, disproportionate effect — which is exactly the point when you are lighting one flat in forty.

Same treatment, your house

Tell us about the property

A few photos is all it takes. We'll come back with a scheme and a fixed seasonal price.

Where to go next

More of our work